So, after blazin’ through a fair share over <memetic number> words on Kannagi, plot, art and discourse – I condemn timezones and odd sleeping habits for not allowing me to participate – I thought a proper response is due. I’m aware I’ve been absent for quite some while, and while my excuses are legion (depression, writer’s block, nonstimulating schoolwork soaking up time like a sponge and constant travelling) they matter little. What matter is gettin’ it on, and now.

I’ll respond on three seperate points I thought I had something at least semi-worthwhile to utter comments about. Being steeped deep in analytical philosophy is interesting in an environment veering more towards continental theory. It is quite giving, since it’s long been a desire of mine to join the two once again, finding the divide unnecessary, harmful even. This’ll also mean that my viewpoints will be at times quite… incongruous to the discourse the others are in (as opposed to disagreeing), but nothing is more beautiful than the harmony of dissonance. Oh and at times (read: most of the time) I won’t respond at all, but only go on about my view on things without really addressing theirs.