The Alien in Eureka Seven

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Note: This article is also available at Ideas Without End HERE

With the second half of episode 31 of Eureka Seven, the real nature of the series’ apparent antagonist is shown. Dewey – who has previously only been seen as a perversely parental equivalent to Holland – and Koda are speaking about the nature of the world and it is framed in similar language to that of William Baxter. The implication is that the planet on which the story is set was colonised by some space-fleet and populated in accordance to a grand plan, but now an indiginous entity – represented by the Coralians as Egan has alluded to in the first half – is fighting back. The identity of the Ageha unit is revealed as well – child soldiers similar to Anemone but apparently without the addiction to drugs and insecurities that she shows. They are consummate soldiers, obedient and amoral.

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Theory, Speculation and Plot Development; Episode 31 of Eureka Seven (A-Part)

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Note: This article is also available at Ideas Without End HERE

 

There is an ongoing tension by this point in Eureka Seven between the desire for normality – and the concessions that must be made to make this happen – and the repercussions of the traumas that the cast have encountered. Too much has changed for there to be any hope of the life that anyone initially wanted; Holland cannot have the life with Talho and Eureka he desired now Renton has entered the scene, Renton will not get his naïve dream of a fun life spent with sportsmen and rebels. How this has manifested is in an increased sense of responsibility, shown perhaps most clearly in Talho’s change of image. Her more modest outfit and short hair is a simple visual cue of “seriousness” – she is not the casual, figure that she was before but instead a mature adult.

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Change and Growth: Episode 30 of Eureka Seven

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Note: This Article is Also Available at Ideas Without End HERE

Episode 30 of Eureka Seven seems to be, after so much seriousness and trauma, a return to the endearing oddness and youthful exuberance of the now long-distant first arc. It begins – as, in fact, several such early episodes did – with Renton and other members of the Gekko’s crew on some unspecified mission, completing it in a charmingly amateurish way as they struggle with a large bag of some sort. Indeed, this quite now uncommon style of episode is highlighted as unusual by Renton himself, who talks about how life has returned to normal in a way that he has not seen for some time.

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Keep On Moving – Progression and Development in Episode 29 of Eureka Seven

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Note: This article is also available at Ideas Without End HERE

With the death of Ray Beams in episode 28, presented unglamorously and graphically, the second arc of Eureka Seven is over. The allusions to Mobile Suit Gundam that have become increasingly apparent in this section come to a head would appear to have established Holland’s behaviour as driven by a desire for closure with the past; not a perfect act of acceptance of his wrongdoing but instead a desire to drive forwards and move on.

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Closure – Episode 28 of Eureka Seven

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Note: This article is also available at Ideas Without End HERE

Episode 27 of Eureka Seven was divided into two sections; the tense buildup to the battle which provided the exposition that will become key in the series’ latter half, and the battle between Holland and Charles itself, resulting in the latter’s death and his wife’s escape. Episode 28 seems to continue this story right from the start, but moving backwards in the narrative to contextualise what has happened. It begins with Ray in hospital, telling Charles she is infertile because of “that phenomenon” – yet this becomes the moment at which he proposes to her.

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Battle of Wits – Episode 27 of Eureka Seven (B-Part)

Ray and Charles' battle with Holland is a fight of equals, quite unlike Amuro fighting Ramba Ral.
Ray and Charles’ battle with Holland is a fight of equals, quite unlike Amuro fighting Ramba Ral.

Note: This article is also available at Ideas Without End HERE

The “A-Part” of episode 27 of Eureka Seven was dense with worldbuilding, using the moments of peace immediately prior to Ray and Charles’ apparent suicide attack to build tension while also – through snatched conversations – lay down the groundwork for the conflicts that will define the second half of the series. As Holland continually moved to shut himself off from distractions and turn the Gekko into a battlefield, the other characters looked forwards to the future – calling into question the Gekkostate’s future relevance.

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