Here I shall finish what I began — namely, the listing of things that might’ve made my cadre of moments, but did not, for whatever reason. And then I shall rest, satisfied in my yearly contribution to the grand ambitions of Master CCY (or is it Master Canon these days?).
[Read the previous moment here or start at the beginning]
Charming, really.
By the time you read this, I’ll be on a plane to Texas. I’ll be out of town until the 30th, and mostly absent from the internet, so if I fail to address your comments in a timely fashion, that would be why. But keep an eye on this blog and pontif.us; I’ll have posts scheduled through the end of December.
With that said, today’s title references one of Schneider’s moments, which, if you’ve read it, may act as a kind of complement to this post. Though, as a Minori fan, he may not be too thrilled that I’m pointing to his moment as complementary to this one.
[Read the previous moment here or start at the beginning]
Chia Pet scroll: do want.
If asked to identify the most enjoyable character I read about in the past year, I may not settle on Ginko, but he’d at least put up a hell of a fight.
[Read the previous moment here or start at the beginning]
Says the girl in the bunny suit.
I haven’t exactly neglected to mention Negima! in the past year. I’ve written about Nodoka and Yue, my favorite members of Negi’s unwieldy harem, and Ako, who starts out as a bit player, but comes into her own, and with a vengeance. What’s left to write about?
“What’s left to write about?” Ha!
I thought of continuing what I began with my Ako post, which just scrapes the surface of her character and then promptly ends. But let’s save that for later. Instead, because you asked for it, let’s talk a little about Chisame. And I do mean a little; we’re talking about a manga that’s currently over 270 chapters long here, and Chisame plays into quite a bit of it. But we can at least try to get a handle on what she’s about — which, I think, is probably the tallest hurdle a blogger writing about Chisame would need to jump.
[Read the previous moment here or start at the beginning]
Who wants to live forever?
Alright, this is the last of my Moments Twelve about death giving meaning to life, or allowing life to mean, or what have you. I’ve just been into that as a theme lately, I guess. And you may know that I can’t put said theme to rest without bringing Bokurano into it.
[Read the previous moment here]
Hell, this is almost as weird as FLCL.
Talk about an underdog. I mean, let me lay this out for you: Hoshi no Samidare (otherwise The Lucifer and Biscuit Hammer — yeah, I know) is about a giant hammer poised to smash the world at the whim of “the Mage,” Animus, and the dysfunctional crew assembled seemingly at total random to deal with this threat.
Live action Tanyuu is...live action?
Like Cuchlann, I find myself mired in schoolwork and related things. It’s Thanksgiving break, yes, but it’s still difficult to blog when I know I should be writing an essay about Darwinian rhetoric in Hardboiled Wonderland and the End of the World, or researching transversal poetics and presentism. But fortunately, my research interests being what they are, schoolwork and blog-work overlap from time to time. More often than not, maybe.
What follows is the list of notes (and a few visuals) I used to give a presentation on adaptation and all it entails — or, rather, as much of what it entails as I could fit in twenty minutes or so. My research has centered on the novel-to-film variety, but most of it seems more broadly relevant. These being personal notes more than anything, I make no guarantees as to their cohesiveness, but they should at least be legible — and, with any luck, somewhat interesting.
In real life, molestation isn’t funny, so don’t think I’m condoning your trip to Japan whereupon you will hit the subways, so to speak. But in anime and manga, sexual molestation is used in service of humor as often as it’s an agent of personal horror, and there seems to exist an unspoken code governing the line between the two.
Don’t think this is all about cultural implications, either. Such narrative machinations as humor can be deliciously structural. Not that the examples I look at here are off the social hook, per se, but we’ll look at that on a case-by-case basis.
(Edit 9/8 — Let this comment serve as a brief addendum in answer to those parts of this post that weren’t thought through as well as perhaps they should’ve been.)
Update 8/9: I’m going live with the new theme now, after making some changes based on the feedback I got here. You’re welcome to keep commenting with suggestions (and bear in mind that I have yet to decide what else to do with the header, so there may be a place for more color up there).
Lest you thought my Twitter comment about revamping the site was an act of impulse, mere offhand rambling, I present to you the basically-finished prototype of Super Fanitheme 3.0, a simplified, cleaned-up affair compared to what we have now. All I need now are thoughts on how it might be made better.
The front page, with image caption formatting
More sections offered for your perusal after the break.