(Utena IV) Power

Revolutionary Girl Utena 12: Here's some power dynamics for you.

(Please note that these posts are and will continue to be filled with horrible, horrible spoilers. If you haven’t seen Utena, please, for the love of whatever deity you do or don’t worship, go away and fix that.)

This wasn’t going to be the next Utena post, but, with all the recent debate about feminism, I guess I’m in a sex-and-gender sort of mood.

So, a question: who has power in this show? Is it Utena? The student council? Anthy? Cars? J. A. Seazer?

Revolutionary Girl Utena 25: I'm feeling the throb of the engine right about now.

The answer is, of course, men. Or boys, as it were. People with penises.

Utena herself does a lot of conquering, but this is precisely what she’s meant to do. All according to plans drawn up by dudes. Akio means to hone her into a sword for his own use.

You could argue that Anthy is really the mastermind behind everything. Here’s one take on the ending:

… [T]he betrayal is just a final testing of Utena…to see if she can truly replace Akio in her eyes…Utena passes the test, takes on the suffering that Anthy rightfully deserved and now Anthy walks out on Akio in search of her new prince…who she will now torment at will. As soon as she steps off Ohtori Academy she lights a cigarette and grins. …

animekritik, “The Apocalypse Arc (Revolutionary Girl Utena)”

Not that kritik necessarily prefers this reading, mind; he just suggests it as a possibility. I’m not really feeling it, though. Maybe I just want the ending to be a triumph of sincerity, but I saw it as Anthy’s genuine rejection of Akio’s cycle — and her being in a position to leave it suggests that, indeed, she was within it, rather than above it. So, while she’s very good at manipulation herself, and while Utena may partly have been a pet project of hers (see here), I think that Anthy manipulates people in a way that most often serves Akio’s purposes.

Maleness is the force that drives the student council. Its apparently weakest male, Miki, is jerked around by his sister — but consider that she jerks by way of screwing around with men. She needs male aid to get under her brother’s skin. The council’s most obviously strong female, Juri, is essentially conquered (and cuckolded) in the third arc, her love interest used and discarded by the guy who removes her sword in the following fight. She does conduct that fight, but only under male auspices. Nanami spends most of the show agonizing over Touga. The whole student council is part of Akio’s plan.

Akio, Akio, Akio; penis, penis, penis. There’s a racial angle, too, but ADWM did it really well already, so let’s stick with the phalloi.

Does Utena actually manage to break the patriarchy barrier? I do think so, yes. But it’s not a straightforward, point-A-to-point-B sort of message.

Revolutionary Girl Utena 33: jghsgsjgigbhgijbgdjbgdjhg

She isn’t an unbridled force of liberation. She doesn’t win equality with her sword. Which is good, because that method risks being disingenuous — consider the Faux Action Girl trope. Battles for equality are never wholly physical, when they need to be physical at all. They’re ideological. We have on our hands brutish, poisonous, bad ideas, and you can only counter an idea with an idea.

Revolutions start as ideas, don’t they?

For much of the show, Utena is oppressed. She doesn’t exactly consent to this — like the viewer, she doesn’t understand the thoroughness of it at first. Her point of view is limited. Like every human being I’ve ever met, she is, given the right conditions, subject to deception and manipulation, sometimes partly because the manipulators are sexually attractive to her. She can’t just charge at oppressive social structures full-bore because those structures engulf her. She has to attack them from within, and that’s more difficult, and she is, after all, still half a child. She has to learn.

Let’s put it another way. Hélène Cixous famously argued that “woman must write woman. And man, man.” (No, the irony of my doing this post in the context of that quote is not lost upon me.) Utena’s overtures toward blurring her identity are conducted within the “language” or sign system allotted to her. For example, she appears to transgress by wearing a male uniform coat, but the Ohtori Academy uniform is Akio’s province. She beats men in swordfights using the Sword of Dios.

A revolution is distinguishable from a coup in that it represents an institutional shift rather than a mere seizing of power. To revolt, you must strive for a system that differs from the norm. It’s not enough to turn Akio’s own language, i.e. swords, against him. You need an alternative way of looking at things.

I like to think that Utena pulls this off. She loses the physical battle, in the end, but the idea of Utena effectively dismantles Akio’s system. She does more than achieve a position of power; she empowers others to step outside.

Revolutionary Girl Utena 39: Anthy and Chu-Chu shedding signs.

… Utena succeeds, not as a Prince, but as a Revolutionary, by inspiring Anthy to step up herself out of her subservient role as the Rose Bride and save herself. Thus, together they destroy the archetype of the Prince and the Princess and are on their way to create a new, more equal ideal as friends and soulmates. Their example also manages to help all the Duellists break from their fixation on their idealized memories and move on toward smashing their own coffins. This is the Revolution in SKU.

etrangere, “Utena’s Revolution or la Fin de l’Ancien Régime Romantique”

Yes, this. But I don’t want to leave off without acknowledging the ambiguity of the ending. We’ll see what we want to see. I mean to point out that it’s possible to see liberation in there somewhere. My attitude is, if you can see liberation, do.

Leave a comment


  1. A Day Without Me

     /  21 May 2012

    Enjoyed your post; I don’t think I’ll ever cease to be enthralled by posts dissecting Revolutionary Girl Utena.

    I was also struck, oddly enough, by the noses in the screencaps you utilized; its a sharp reminder of shifts in art styles in anime, as these days noses are nearly nonexistent. At first I thought, “Wow, Akio has a gigantic honker in that shot.” and then I realized, that, no, its that what I’m accustomed to now is different because anime noses have largely shrunk. If I were more ambitious, I’d spin this into a post.

    • Oh yeah, noses. You should indeed do a nose post, mostly because I want to see someone try to tackle the noses in Escaflowne. I mean, look at those damn things. You can’t get excited about the kiss scenes because you’re always worried about someone losing an eye. Allen Schezar should really just fence with his nose.

      • animekritik

         /  22 May 2012

        On this issue, I noticed a lot of people on crunchyroll (probably young’uns) shocked and appalled by the noses on the latest Leiji anime.

  2. animekritik

     /  22 May 2012

    Very nice post, though my tendency is diametrically opposite. If you can suspect the reality of liberation, do :)

    • Haha, fair enough. I think I might be inclined to phrase it that way if I were talking about a real-world situation.

  3. Utena seems to conform to the patriarchy at some points only to create an effective crack to its shell. I’ve read elsewhere a question about how different Utena’s and Anthy’s path is, if it is defined by what it rejects (much like atheists are defined by their denial of the existence of god- do I make sense?). What’s your opinion?

    P.S.: Is this the last part of your Utena posts?

    • I’m ever-hesitant to make definitive statements about Anthy. Maybe she really is the villain; who knows? But on a basic level, I think that she and Utena are similar in that they both need to learn a vocabulary of resistance (or a vocabulary that comes out of themselves, or a “feminine language”) before they can effectively resist. If we’re looking at patriarchy, the two have different circumstances, but they share a common problem.

      This certainly isn’t the last Utena post. I’ve just been busy, is all. I anticipate at least three or four more — it’s a long-term project.

  1. (Utena V) Echo « Super Fanicom BS-X
  2. (Utena VI) Phantasm « Super Fanicom BS-X

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s


Get every new post delivered to your Inbox.

Join 373 other followers

%d bloggers like this: