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	<title>Comments on: re: Ueno-sensei on individuality</title>
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	<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/</link>
	<description>blasting off again</description>
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		<title>By: omo</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-819</link>
		<dc:creator><![CDATA[omo]]></dc:creator>
		<pubDate>Sat, 14 Mar 2009 03:07:59 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-819</guid>
		<description><![CDATA[Well, there&#039;s some of that, I&#039;m sure we all see it some time.

Also, however, a lot of the time people do get hung up on the stuff lelangir mentioned--how location matters at all. It&#039;s a valid inquiry but one that we can move on from. There&#039;s a lot more to explore.]]></description>
		<content:encoded><![CDATA[<p>Well, there&#8217;s some of that, I&#8217;m sure we all see it some time.</p>
<p>Also, however, a lot of the time people do get hung up on the stuff lelangir mentioned&#8211;how location matters at all. It&#8217;s a valid inquiry but one that we can move on from. There&#8217;s a lot more to explore.</p>
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		<title>By: ghostlightning</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-818</link>
		<dc:creator><![CDATA[ghostlightning]]></dc:creator>
		<pubDate>Sat, 14 Mar 2009 02:09:37 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-818</guid>
		<description><![CDATA[Lol he&#039;s pretty awesome yeah. I&#039;m not well-read on the philosophy of history and I end up applying textual criticall methods to historical writings.

Feel free to recommend readings.]]></description>
		<content:encoded><![CDATA[<p>Lol he&#8217;s pretty awesome yeah. I&#8217;m not well-read on the philosophy of history and I end up applying textual criticall methods to historical writings.</p>
<p>Feel free to recommend readings.</p>
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		<title>By: Ubiquitial</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-817</link>
		<dc:creator><![CDATA[Ubiquitial]]></dc:creator>
		<pubDate>Sat, 14 Mar 2009 00:13:45 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-817</guid>
		<description><![CDATA[of course its not true.... no one is that naive.]]></description>
		<content:encoded><![CDATA[<p>of course its not true&#8230;. no one is that naive.</p>
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		<title>By: Cuchlann</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-816</link>
		<dc:creator><![CDATA[Cuchlann]]></dc:creator>
		<pubDate>Fri, 13 Mar 2009 19:53:21 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-816</guid>
		<description><![CDATA[I may be completely bastardizing what omo said, which lelangir is quoting, but it seems to me that statement could actually be pointed, not towards devaluing a culture (so much), but instead toward highlighting the lack of critical apparatus?  Liking something &quot;because it&#039;s Japanese&quot; leaves the door wide open, and in fact is probably not actually true -- the person who claims to like that probably won&#039;t like every anime ever made, or enka music, or the Hanshin Tigers (They found the colonel! Woo!), or doujinshi that slashes the characters in Naruto they think hate each other.  

There&#039;s another thing in their decision-making process, some sort of critical apparatus, and *that* bears discussion and propagation, while &quot;because something&#039;s Japanese&quot; can be just fine on an individual level, sure, but is pretty much useless for having conversations and discourse of any type (if one is within that belief system -- obviously we&#039;re having discourse on it now, but using it as a chit in our discussion, rather than working from within it as a cultural assumption).]]></description>
		<content:encoded><![CDATA[<p>I may be completely bastardizing what omo said, which lelangir is quoting, but it seems to me that statement could actually be pointed, not towards devaluing a culture (so much), but instead toward highlighting the lack of critical apparatus?  Liking something &#8220;because it&#8217;s Japanese&#8221; leaves the door wide open, and in fact is probably not actually true &#8212; the person who claims to like that probably won&#8217;t like every anime ever made, or enka music, or the Hanshin Tigers (They found the colonel! Woo!), or doujinshi that slashes the characters in Naruto they think hate each other.  </p>
<p>There&#8217;s another thing in their decision-making process, some sort of critical apparatus, and *that* bears discussion and propagation, while &#8220;because something&#8217;s Japanese&#8221; can be just fine on an individual level, sure, but is pretty much useless for having conversations and discourse of any type (if one is within that belief system &#8212; obviously we&#8217;re having discourse on it now, but using it as a chit in our discussion, rather than working from within it as a cultural assumption).</p>
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		<title>By: Ryan A</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-815</link>
		<dc:creator><![CDATA[Ryan A]]></dc:creator>
		<pubDate>Fri, 13 Mar 2009 19:20:00 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-815</guid>
		<description><![CDATA[BUY AMERICAN....

my culture only exists on reservations....

some &lt;strike&gt;BASTARDS&lt;/strike&gt; husbands don&#039;t allow their wives to speak their native tounge...

I will agree that cultures are equal, but this doesn&#039;t sway the facts of affinity. If we take that away, regardless of culture structure, what then of the &lt;em&gt;individual&lt;/em&gt;?]]></description>
		<content:encoded><![CDATA[<p>BUY AMERICAN&#8230;.</p>
<p>my culture only exists on reservations&#8230;.</p>
<p>some <strike>BASTARDS</strike> husbands don&#8217;t allow their wives to speak their native tounge&#8230;</p>
<p>I will agree that cultures are equal, but this doesn&#8217;t sway the facts of affinity. If we take that away, regardless of culture structure, what then of the <em>individual</em>?</p>
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		<title>By: lelangir</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-814</link>
		<dc:creator><![CDATA[lelangir]]></dc:creator>
		<pubDate>Fri, 13 Mar 2009 17:09:40 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-814</guid>
		<description><![CDATA[GUHHHH SO COMPLICATED. Will perhaps write a more thorough follow-up post at some time...]]></description>
		<content:encoded><![CDATA[<p>GUHHHH SO COMPLICATED. Will perhaps write a more thorough follow-up post at some time&#8230;</p>
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		<title>By: animekritik</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-813</link>
		<dc:creator><![CDATA[animekritik]]></dc:creator>
		<pubDate>Fri, 13 Mar 2009 15:52:06 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-813</guid>
		<description><![CDATA[Yes, agreed.   I try to explain this to people when the subject of better and worse countries and nationalities come up.  I ask them, better or worse for what?  If you want mid and long-distance runners, Kenya and Ethiopia are simply the best, they&#039;re SUPERIOR as far as that goes.  I&#039;ve heard that Japanese sports committees have spent lots of yen building &quot;environments&quot; which simulate conditions in Kenya, even feeding its athletes Kenyan food and drink, but they still get destroyed in competition.  But when it comes to anime, Japan kicks ass.

On Jewish intellectuals, Marx was an anti-Semite, no doubt about it, but the main thrust of his position is precisely that people are equal, that there is no natural basis for hierarchies, that it&#039;s all about raw exploitation.  I think he was an anti-Semite because he hated capitalists and of course many Jews were capitalists..]]></description>
		<content:encoded><![CDATA[<p>Yes, agreed.   I try to explain this to people when the subject of better and worse countries and nationalities come up.  I ask them, better or worse for what?  If you want mid and long-distance runners, Kenya and Ethiopia are simply the best, they&#8217;re SUPERIOR as far as that goes.  I&#8217;ve heard that Japanese sports committees have spent lots of yen building &#8220;environments&#8221; which simulate conditions in Kenya, even feeding its athletes Kenyan food and drink, but they still get destroyed in competition.  But when it comes to anime, Japan kicks ass.</p>
<p>On Jewish intellectuals, Marx was an anti-Semite, no doubt about it, but the main thrust of his position is precisely that people are equal, that there is no natural basis for hierarchies, that it&#8217;s all about raw exploitation.  I think he was an anti-Semite because he hated capitalists and of course many Jews were capitalists..</p>
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		<title>By: lelangir</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-812</link>
		<dc:creator><![CDATA[lelangir]]></dc:creator>
		<pubDate>Fri, 13 Mar 2009 14:51:50 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-812</guid>
		<description><![CDATA[Hm so you&#039;re saying Ueno-sensei used &quot;individualistic&quot; in the sense of the artist vis-a-vis &quot;the genre&quot;, i.e. big eyes before there was an ideology that territorialized big eyes, I see.

But I still think that&#039;s very relevant to what I&#039;ve said - doujin circles. One man draws in the style of, say, Haruka Tanabe (fictive), he does so because mimicking both the style and the meaningful substance of her works (Super ~PRetty~ doki doki Natsu Yasumi is his favorite work) allows him to express himself, to manifest his individuality in a material product that others can see, he invests his self in his work. Of course, Haruka Tanabe draws in a style deemed ULTRA MOE by industry standards - yet our one man does not mind, in fact he relishes this classification because it grants him socioeconomic access to a group. So is it ULTRA MOE drawing, or the specific, personal meanings of each individual work? Both, probably. pieces of art probably have a lot of personal meaning attached to them (in part) precisely because they&#039;re conformist and status quo. This &quot;individual artist choice&quot; Ueno-sensei (or you?) speaks of is just as rooted in everything I&#039;ve delineated as an &quot;individual consumer choice&quot;.

But I&#039;ve probably breached #2 by now...]]></description>
		<content:encoded><![CDATA[<p>Hm so you&#8217;re saying Ueno-sensei used &#8220;individualistic&#8221; in the sense of the artist vis-a-vis &#8220;the genre&#8221;, i.e. big eyes before there was an ideology that territorialized big eyes, I see.</p>
<p>But I still think that&#8217;s very relevant to what I&#8217;ve said &#8211; doujin circles. One man draws in the style of, say, Haruka Tanabe (fictive), he does so because mimicking both the style and the meaningful substance of her works (Super ~PRetty~ doki doki Natsu Yasumi is his favorite work) allows him to express himself, to manifest his individuality in a material product that others can see, he invests his self in his work. Of course, Haruka Tanabe draws in a style deemed ULTRA MOE by industry standards &#8211; yet our one man does not mind, in fact he relishes this classification because it grants him socioeconomic access to a group. So is it ULTRA MOE drawing, or the specific, personal meanings of each individual work? Both, probably. pieces of art probably have a lot of personal meaning attached to them (in part) precisely because they&#8217;re conformist and status quo. This &#8220;individual artist choice&#8221; Ueno-sensei (or you?) speaks of is just as rooted in everything I&#8217;ve delineated as an &#8220;individual consumer choice&#8221;.</p>
<p>But I&#8217;ve probably breached #2 by now&#8230;</p>
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		<title>By: lelangir</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-811</link>
		<dc:creator><![CDATA[lelangir]]></dc:creator>
		<pubDate>Fri, 13 Mar 2009 14:32:10 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-811</guid>
		<description><![CDATA[actually, you bring up a very pertinent issue I&#039;ve been dealing with - &quot;equality&quot; is a social construction, basically the theoretical notion of &quot;equality&quot; is an academic privilege. People that aren&#039;t situated in academic discourse may not be &quot;aware&quot; of these theoretical notions of equality, so for those people, cultures simply aren&#039;t equal, and due to what I just said, their position of inequality is still valid; ergo cultures are NOT equal, It&#039;s tricky :(

I knew Durkheim was a Jew (not too knowledgeable of modern Jewish thought though), and Marx was an anti-Semite, so there&#039;s probably some relevance in that ;)

But cultures can be measured, just not in this &quot;ethical&quot; sense of good/bad. Does France eat more beef than California? Take a population n=10,000,000, take a sample based on socioeconomic data, measure, theorize, read on the cultural differences leading to beef production, etc. The point of such a study would be to determine why there are different cultures of beef production inasmuch as your sampling is objective and representative of your given populations. This is true, you can do that.]]></description>
		<content:encoded><![CDATA[<p>actually, you bring up a very pertinent issue I&#8217;ve been dealing with &#8211; &#8220;equality&#8221; is a social construction, basically the theoretical notion of &#8220;equality&#8221; is an academic privilege. People that aren&#8217;t situated in academic discourse may not be &#8220;aware&#8221; of these theoretical notions of equality, so for those people, cultures simply aren&#8217;t equal, and due to what I just said, their position of inequality is still valid; ergo cultures are NOT equal, It&#8217;s tricky :(</p>
<p>I knew Durkheim was a Jew (not too knowledgeable of modern Jewish thought though), and Marx was an anti-Semite, so there&#8217;s probably some relevance in that ;)</p>
<p>But cultures can be measured, just not in this &#8220;ethical&#8221; sense of good/bad. Does France eat more beef than California? Take a population n=10,000,000, take a sample based on socioeconomic data, measure, theorize, read on the cultural differences leading to beef production, etc. The point of such a study would be to determine why there are different cultures of beef production inasmuch as your sampling is objective and representative of your given populations. This is true, you can do that.</p>
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		<title>By: omo</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-810</link>
		<dc:creator><![CDATA[omo]]></dc:creator>
		<pubDate>Fri, 13 Mar 2009 13:51:46 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-810</guid>
		<description><![CDATA[Well, before you take it too far, 
1. Douchbags do tickle your balls when used correctly...?
2. I paraphrased what Ueno said in my own words, but I probably didn&#039;t do his speech full justice. I certainly can&#039;t vouch for what you think what he said based on what I said :)
3. I don&#039;t think &quot;superficiality&quot; was actually used in his talk, but at some point he does address this; just not so much in the sense perhaps you are using. But in artistic criticism, we could criticize a movement or a style, but that&#039;s just that. When we evaluate individual works, we have to put that in an individualized context of the artist. One example that came up was the origin of the &quot;big eyes small mouth&quot; trait, and one of the slides at the talk showed an ukiyoe art that predates Walt Disney which had large eyes. So it makes you wonder--why? Maybe it&#039;s just an individual artistic choice. The anime/manga &quot;genre&quot; is so diverse, that there is a lot more than just your Murakami-brand Superflat out there. 
4. So it&#039;s got nothing about &quot;individualistic&quot; in the sense as you write. I don&#039;t know if I agree or disagree besides that, sure, even a discoursed based on terms forged via cultural hegemony can be fruitful. But at some point we have to move beyond that in order to really dig into the substantive criticism of an art genre as broad as the one inspired by modern visual japanese culture.]]></description>
		<content:encoded><![CDATA[<p>Well, before you take it too far,<br />
1. Douchbags do tickle your balls when used correctly&#8230;?<br />
2. I paraphrased what Ueno said in my own words, but I probably didn&#8217;t do his speech full justice. I certainly can&#8217;t vouch for what you think what he said based on what I said :)<br />
3. I don&#8217;t think &#8220;superficiality&#8221; was actually used in his talk, but at some point he does address this; just not so much in the sense perhaps you are using. But in artistic criticism, we could criticize a movement or a style, but that&#8217;s just that. When we evaluate individual works, we have to put that in an individualized context of the artist. One example that came up was the origin of the &#8220;big eyes small mouth&#8221; trait, and one of the slides at the talk showed an ukiyoe art that predates Walt Disney which had large eyes. So it makes you wonder&#8211;why? Maybe it&#8217;s just an individual artistic choice. The anime/manga &#8220;genre&#8221; is so diverse, that there is a lot more than just your Murakami-brand Superflat out there.<br />
4. So it&#8217;s got nothing about &#8220;individualistic&#8221; in the sense as you write. I don&#8217;t know if I agree or disagree besides that, sure, even a discoursed based on terms forged via cultural hegemony can be fruitful. But at some point we have to move beyond that in order to really dig into the substantive criticism of an art genre as broad as the one inspired by modern visual japanese culture.</p>
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		<title>By: animekritik</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-809</link>
		<dc:creator><![CDATA[animekritik]]></dc:creator>
		<pubDate>Fri, 13 Mar 2009 13:22:28 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-809</guid>
		<description><![CDATA[@lelangir

Very briefly, to say that all cultures are equal might be as inadequate as setting up a hierarchy for them.  Equality, hierarchy imply measurement,  Cultures cannot be measured.  Also, Mr. Durkheim was Jewish, from a very observant Jewish family actually, and as you know &quot;equality&quot; is almost the core concept of modern Jewish intellectual thought, so there&#039;s some prejudice there.  That said, I agree with pretty much everything you say!

@ghost

If you study history long enough, you will see all of your beliefs crumble before your very eyes!  Everything they taught you at school is lies.  This doesn&#039;t mean that teachers are deliberately trying to hurt you, it&#039;s simply that they&#039;re feeding you the necessary data to deal with society etc.  That data is what you called &quot;constructions&quot;.  Ideally, you&#039;ll be able to see through them, smile and carry on.  In any case, there&#039;s one thing all Filipinos can agree on (I think), and that is the awesomeness of Manny Pacquiao!!]]></description>
		<content:encoded><![CDATA[<p>@lelangir</p>
<p>Very briefly, to say that all cultures are equal might be as inadequate as setting up a hierarchy for them.  Equality, hierarchy imply measurement,  Cultures cannot be measured.  Also, Mr. Durkheim was Jewish, from a very observant Jewish family actually, and as you know &#8220;equality&#8221; is almost the core concept of modern Jewish intellectual thought, so there&#8217;s some prejudice there.  That said, I agree with pretty much everything you say!</p>
<p>@ghost</p>
<p>If you study history long enough, you will see all of your beliefs crumble before your very eyes!  Everything they taught you at school is lies.  This doesn&#8217;t mean that teachers are deliberately trying to hurt you, it&#8217;s simply that they&#8217;re feeding you the necessary data to deal with society etc.  That data is what you called &#8220;constructions&#8221;.  Ideally, you&#8217;ll be able to see through them, smile and carry on.  In any case, there&#8217;s one thing all Filipinos can agree on (I think), and that is the awesomeness of Manny Pacquiao!!</p>
]]></content:encoded>
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		<title>By: ghostlightning</title>
		<link>http://superfani.com/2009/03/13/re-ueno-sensei-on-individuality/#comment-808</link>
		<dc:creator><![CDATA[ghostlightning]]></dc:creator>
		<pubDate>Fri, 13 Mar 2009 08:56:33 +0000</pubDate>
		<guid isPermaLink="false">http://superfani.com/?p=3959#comment-808</guid>
		<description><![CDATA[&lt;blockquote&gt;just because the heart of a subculture or group is situated upon paradoxical, conflicting meaning systems doesn’t mean it’s in any way “false”, yet more importantly, it doesn’t mean that the relationship between cultures is a hierarchical one; hence a culture, even if it makes little logical sense on its own, and even if it trivializes another culture in the eyes of the very constituents of said culture, is still equal to that culture it objectifies.&lt;/blockquote&gt;

This statement... &lt;i&gt;challenges&lt;/i&gt; me. I&#039;ve been thinking a lot on the meaning of the &#039;Filipino&#039; as a nationality and/or ethnicity, and culturally.

I&#039;m so tempted to declare them all unilaterally false because of the circumstances of their formation.

Ethnically, there are so many sub-ethnicities in the Philippines - from aborigines to various &lt;i&gt;mestizo&lt;/i&gt; mixtures. This is complicated by the sheer number of languages (70+ excluding their respective dialects). It is quite possible for me to ride a train and not understand what anyone is talking about (the ff languages may be spoken by groups in the train: Ilocano, Kapampangan, Ilonggo, Cebuano, and Bicolano - and nobody&#039;d understand what the other groups are saying).

We are unified, basically by Miguel Lopez de Legazpi who claimed the whole archipelago in the name of Philip II (of Spain). Many of &#039;us&#039; didn&#039;t even talk to the people in the other islands, but we were suddenly &#039;Filipinos&#039; (actually, &#039;indios&#039; because non-african savages were usually called Indians). 300 years later Spain sells us to the Yanks, and 40 years later the Japs take over, but only for a while.

American colonialism is still the dominant one because they actually took the initiative to educate us when the Spaniards were quite happy to keep us illiterate.

The educated class understand each other because they speak english. Our nation functions because of the use of english. Not that everybody speaks english, only the educated elite - and somehow the barely educated expatriates serving the world as meido.

We call each other Filipino, out of habit, out of education - but I really doubt that there is a unifying cultural thread that holds us together.

&lt;blockquote&gt;As Ueno-sensei has said, weeaboo culture utilizes anime on a “superficial” level, a level that has everything to do with the socially constructed representations of anime and not the historical trajectories of yourself.&lt;/blockquote&gt;

Our culture exists on a superficial level - if in terms of trying to find a unifying thread; there&#039;s so much plurality in it that makes it difficult (at least for me ) to claim.

I don&#039;t know if the average Japanese can easily &#039;claim&#039; the tea ceremony, or Shinto practices (I do know that they&#039;re not a &lt;i&gt;nation&lt;/i&gt; of otaku). But I certainly don&#039;t feel confident in claiming &#039;tinikling&#039; (a bamboo dance) or &#039;zarsuela&#039; (a drama/musical form) as my own. I hardly consume or experience these cultural products (aside from the exposure through education) - even though I am taught to relate to these as my heritage.

So I&#039;m not really sure what the social construction of the &#039;Filipino&#039; is even to ourselves. I do feel our historical trajectory establishes very little unifying sensibility. Am I just to appreciate the plurality and just claim everything? I really don&#039;t know.

Perhaps it doesn&#039;t help that I consume and participate mostly in what I feel is American otaku culture. But I don&#039;t feel like claiming that either. Would I want to stake a &#039;location&#039; for myself anyway?]]></description>
		<content:encoded><![CDATA[<blockquote><p>just because the heart of a subculture or group is situated upon paradoxical, conflicting meaning systems doesn’t mean it’s in any way “false”, yet more importantly, it doesn’t mean that the relationship between cultures is a hierarchical one; hence a culture, even if it makes little logical sense on its own, and even if it trivializes another culture in the eyes of the very constituents of said culture, is still equal to that culture it objectifies.</p></blockquote>
<p>This statement&#8230; <i>challenges</i> me. I&#8217;ve been thinking a lot on the meaning of the &#8216;Filipino&#8217; as a nationality and/or ethnicity, and culturally.</p>
<p>I&#8217;m so tempted to declare them all unilaterally false because of the circumstances of their formation.</p>
<p>Ethnically, there are so many sub-ethnicities in the Philippines &#8211; from aborigines to various <i>mestizo</i> mixtures. This is complicated by the sheer number of languages (70+ excluding their respective dialects). It is quite possible for me to ride a train and not understand what anyone is talking about (the ff languages may be spoken by groups in the train: Ilocano, Kapampangan, Ilonggo, Cebuano, and Bicolano &#8211; and nobody&#8217;d understand what the other groups are saying).</p>
<p>We are unified, basically by Miguel Lopez de Legazpi who claimed the whole archipelago in the name of Philip II (of Spain). Many of &#8216;us&#8217; didn&#8217;t even talk to the people in the other islands, but we were suddenly &#8216;Filipinos&#8217; (actually, &#8216;indios&#8217; because non-african savages were usually called Indians). 300 years later Spain sells us to the Yanks, and 40 years later the Japs take over, but only for a while.</p>
<p>American colonialism is still the dominant one because they actually took the initiative to educate us when the Spaniards were quite happy to keep us illiterate.</p>
<p>The educated class understand each other because they speak english. Our nation functions because of the use of english. Not that everybody speaks english, only the educated elite &#8211; and somehow the barely educated expatriates serving the world as meido.</p>
<p>We call each other Filipino, out of habit, out of education &#8211; but I really doubt that there is a unifying cultural thread that holds us together.</p>
<blockquote><p>As Ueno-sensei has said, weeaboo culture utilizes anime on a “superficial” level, a level that has everything to do with the socially constructed representations of anime and not the historical trajectories of yourself.</p></blockquote>
<p>Our culture exists on a superficial level &#8211; if in terms of trying to find a unifying thread; there&#8217;s so much plurality in it that makes it difficult (at least for me ) to claim.</p>
<p>I don&#8217;t know if the average Japanese can easily &#8216;claim&#8217; the tea ceremony, or Shinto practices (I do know that they&#8217;re not a <i>nation</i> of otaku). But I certainly don&#8217;t feel confident in claiming &#8216;tinikling&#8217; (a bamboo dance) or &#8216;zarsuela&#8217; (a drama/musical form) as my own. I hardly consume or experience these cultural products (aside from the exposure through education) &#8211; even though I am taught to relate to these as my heritage.</p>
<p>So I&#8217;m not really sure what the social construction of the &#8216;Filipino&#8217; is even to ourselves. I do feel our historical trajectory establishes very little unifying sensibility. Am I just to appreciate the plurality and just claim everything? I really don&#8217;t know.</p>
<p>Perhaps it doesn&#8217;t help that I consume and participate mostly in what I feel is American otaku culture. But I don&#8217;t feel like claiming that either. Would I want to stake a &#8216;location&#8217; for myself anyway?</p>
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